‘Accordion Man’ devastated as 30 instruments stolen in raid
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I’ve loved his theater organ playing since , when I bought a CD of his duets with pianist David Harris. Now you can hear him play the “Clarinet Polka” on the Kimball-Wurlitzer at the Organ Piper Music Palace in Greenfield, Wisconsin, and enjoy two of life’s pleasures at once — the mighty Wurlitzer and polka music. The music is great duh! Then grab your credit card and buy this CD.
Includes an excellent booklet with liner notes by Carl Finch.
Imperial contracted with the Italian instrument maker, Crucianelli, to build accordions, guitars, and basses under the name “Tonemaster”. The instruments were very .
The German company Hohner, manufacturer of the D6 Clavinet, was known mainly for its reed instruments harmonicas, accordions Most orders are eligible for free shipping! Hohner – Guitar museum Guitar museum is a free webspace, The Hohner HW guitar has been in continuous production Originally a German brand specialized in harmonica’s, also moved into the guitar business buying guitars from … vintage hohner guitar eBay Find great deals on eBay for vintage hohner guitar and vintage acoustic guitar.
Neville Marten, … The Hofner Guitar: Marvin etc and some nice pictures of the author’s private collection. Very little detailed information about particular models. Guitar strings; Guitar bags; Information Hohner – Wikipedia History. Clock maker Matthias Hohner began crafting
Accordions and Harmonicas
Information and commentary concerning instruments chiefly accordions , as well as other rare and beautiful things Saturday, September 12, Hohner diatonic accordions I often find myself window shopping for accordions. I especially like browsing the old Hohners and their kin. It’s a functional hobby because in addition to admiring such instruments, I also collect and play them.
I’ve posted some photos comparing Hohner’s Vienna-style diatonic boxes from the s and s.
Passionate about sourcing and supplying some of the finest Accordions, Melodeons and Concertinas from Italy and Europe, Rob offers instruments from Serenellini, Victoria, Brandoni, Hohner, Sonola, Excelsior, Weltmeister, Boorinwood to name but a few.
Accordion Restoration Accordions are built to last. Their sturdy construction is designed to make them reliable companions for decades of playing. But even the finest accordion will begin to show signs of wear and tear after years of use. Reeds may go out of tune, keys can start to stick or the bellows could develop a crack.
And if an old instrument has been in storage for a while, it might have gathered dust and require a thorough cleaning. The Hohner Service team in Trossingen specializes in restoring vintage Hohner instruments and stocks a wide range of original parts.
Who invented the harmonica?
I played with it a while, then put it on a shelf. The book traces the adventures of a small green button accordion as it passes from hand to hand in the USA, over more than a century. A wonderful read for musicians, and anyone. I got my accordion out. The similarlity with the harmonica is striking, the details follow. The picture shows a 10 button keyboard.
Although best known for accordions and harmonicas, in August Hohner first hit the solid guitar road, via the Holborn and Kingsway. These instruments were quite similar to certain Vox models, which wasn’t too surprising as they all came from the same UK factory.
Buying Advice If you are reading this there is at least a possibility that you are interested in buying a concertina, so I shall proceed on that assumption. Since the first version of this FAQ was written in the landscape for buyers of concertinas has changed radically. Back then if you wanted to buy new then either there was a handful of makers making expensive but superlative instruments at a rate of a few a year or there was Bastari now Stagi making fairly cheap but not so nice accordion-reed based concertinas.
Most people bought an old instrument that had been renovated. Such concertinas varied between just about passible and superb, with prices to match. For old instruments not much has changed except the price, which has always increased. It’s in the area of new instruments that things are so different. Now there is a whole raft of new makers on the scene, serving every level of the market place from beginner to accomplished professional. It is said that – was a “golden age” of concertina making.
That may be so, but we are perhaps living through a concertina “silver age” right now. So, on with the discussion: For instance here are a few guidelines you may hear on the uses to which you might put the various types of concertina as you will see, I take this with a pinch of salt myself: If you want to play in groups or ensembles of concertinas, go for an English concertina. For English folk dance the push-pull pattern of the anglo scale gives a “lift” to the music.
Tonemaster The Imperial Accordion Company of Chicago was one of Estey’s biggest distributors of Magnatone and their own rebranded accordion amplifier, the Tonemaster. Imperial was given special input into some of the amplifiers designs that Estey built for Gasparetti president, Imperial. Malatesta, Italo Sorbellini, and Felix Vitello. Gasparetti remained a key figure in the distributorship and for the Tonemaster amplifiers. In the mid-sixties, Imperial was the distributor for Illinois north of East St.
There were several Tonemaster models built by Estey, including models based on the as well as the big
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Who invented the harmonica? Buschmann Sadly, the early history of Western free reed instruments is somewhat cloudy, but if we are defining the harmonica as a mouth-blown free reed instrument where the notes of the scale are selected by the player’s mouth, rather than fingers, the usual answer to this question is that it was invented by sixteen year old Christian Buschmann in Buschmann called his new instrument the “Aura” or Mundaeoline”.
However, most of what we are told about Buschmann comes from a book written about him by one of his descendents, Heinrich Buschmann. Christian Friedrich Ludwig Buschmann, der Erfinder der Mund- und der Handharmonika was written in , during a time when Germany was very keen to demonstrate its superiority over other nations.
Because of this, many of the books written during this period tend to downplay the achievements of other countries, often to the point of deliberate falsification. The Germans are far from the only nation guilty of this. British reference books proudly identify Sir Charles Wheatstone as the inventor of the harmonica and older American texts often used to credit Benjamin Franklin – this is doubly erroneous as he was associated with the glass harmonica, an entirely different type of instrument and far from inventing it, he merely added some improvements to it.
The date this book gives for Buschmann’s invention is , a date repeated in almost every history of the harmonica written since then, describing the aura as being four inches long and having 15 steel reeds mounted side by side, perhaps intended merely as an aid to tuning, rather than as a musical instrument. However, independent confirmation of this date is lacking and in fact, a letter from Christian Buschmann written in to his father who was living in Britain at the time mentions a harmonica-like instrument that Buschmann Junior had only recently invented.
It is described as being four inches high and four inches in diameter suggesting a circular shape, although some have speculated that the instrument may have been shaped like a cube , with 21 reeds capable of playing in six part harmony. It is possible that this is a development of an earlier design, but in the absence of any contemporary documentation, any surviving examples of these instruments or even pictures of them, or any details about Buschmann’s alleged patent, the whole story is best taken with a very large pinch of salt.
In the s many other people were experimenting with similar instruments so it is probably unwise to credit any single person with its invention. In Vienna in , Georg Anton Reinlein was granted a patent for the “fabrication of a harmonica in the ‘Chinese manner"”, although this actually refers to a bellows-driven instrument, rather than what we would today call a harmonica.
May 31, , With the recent discussion of the Hohner and it’s variations, I thought that a discussion of determining a Hohner’s approximate vintage may be interesting to other harp collectors. This article was written for HCI in , by yours truly. It is about Hohner products only. In some cases, with this article, we may be able to date the harmonica to within 10 years.
Recent Hohner Corona II Diatonic Accordion questions, problems & answers. Free expert DIY tips, support, troubleshooting help & repair advice for all Music.
Left hand ready-Bass buttons: After all, the domestic production of harmonics began in Tula. The most primitive, single samples of manual harmonics were made by Tula masters. Currently, Tula Harmony has not only preserved the range of manufactured products, but also expands it. The Tula bayans sounded and sounded both in our country and abroad in the hands of famous performers.
Famous in the country and in the world ensembles play on the Tula accordions: A new generation of musical instruments meets the highest requirements of musicians. Repeatedly the products of Tula masters were noted at various competitions, exhibitions and fairs. We sell new musical instruments. After all, Russian production of harmonics began in Tula. The most primitive, single samples of hand harmonics were made by Tula masters — brothers Shkunaevym in their home workshop.
Around , the gunsmith Timothy Vorontsov started the production of simple hand harmonics in the basement of his samovar factory. In , the armorer Ivan Sizov brought a simple 5-valve accordion from the Nizhny Novgorod fair. First, he opened a harmonica workshop, in which, copying this sample, began to produce the same, and then organized a mass production of harmonics.